Research

Art Reviews & Submissions

Art reviews in contemporary art publications.
 

 

Screenworks

I was formerly associate editor of peer-reviewed Screen Media Practice Research journal Screenworks. 


Screenworks publishes practice research that produces new knowledge in Communication, Media and Cultural Studies, Art and Design, Performing Arts and related fields.

It offers a forum for the dissemination and discussion of practice research that includes space for reflection on research contexts.

Work is published alongside a research statement, which offers a ‘route map’ of the research process, together with two anonymous reviews, which provide critical feedback on both the work itself and its research context.

Visit Screenworks. 

 

University of Amsterdam, 2015
The Genre Mask: Rhetorical Style and Audience Activation in the Investigation Film
Recipient of the ASCA Finishing Fellowship

"Whose Strife is it Anyway? The Erosion of Agency in the Cinematic Production of Kitchen Sink Realism"
The Philosophy of Documentary Film,
David La Rocca (ed.), 2017 (Lanham, Maryland: Lexington Books)

Publications

Journal Articles

"Opening the Paratext: The Hitchcock Trailer as Assertion of Authorship." ​BAFTSS Open Screens Journal, December 2018. 

The Story is Obvious. You Supply the Subtext: The Art Event as Installation”, Journal of Visual Culture, Vrije University, Amsterdam, July 2012

Playing in Threes: Montage and memory in the films of Harun Farocki and Alexander Kluge”, January 2012

“The Vertical Grave: Social Realism and Suburban Nightmare in Jack Clayton’s The Innocents” (2011), MA dissertation, Leiden, Netherlands

“Immersion and Reciprocity: Art Experience as Live Space”, co-researcher, Michelle Williams Gamaker, Goldsmiths College, 2012

“The Story is Obvious. You Supply the Subtext: The Art Event as Installation”, de Appel, Amsterdam

“Playing in Threes: Montage and Memory in the Films of Harun Farocki and Alexander Kluge, Hamers, J. (ed), 2011

“Take Me To Your Cinema: Michael Powell's Peeping Tom (1960) in reference to Nick Browne’s ‘The-Spectator-in-the-Text’”, Verstraten, P. (ed), 2011

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