Research & Papers
"Opening the Paratext: The Hitchcock Trailer as Assertion of Authorship." BAFTSS Open Screens Journal, December 2018.
“The Story is Obvious. You Supply the Subtext: The Art Event as Installation”, Journal of Visual Culture, Vrije University, Amsterdam, July 2012
“Playing in Threes: Montage and memory in the films of Harun Farocki and Alexander Kluge”, January 2012
“The Vertical Grave: Social Realism and Suburban Nightmare in Jack Clayton’s The Innocents” (2011), MA dissertation, Leiden, Netherlands
“Immersion and Reciprocity: Art Experience as Live Space”, co-researcher, Michelle Williams Gamaker, Goldsmiths College, 2012
“The Story is Obvious. You Supply the Subtext: The Art Event as Installation”, de Appel, Amsterdam
“Playing in Threes: Montage and Memory in the Films of Harun Farocki and Alexander Kluge, Hamers, J. (ed), 2011
“Take Me To Your Cinema: Michael Powell's Peeping Tom (1960) in reference to Nick Browne’s ‘The-Spectator-in-the-Text’”, Verstraten, P. (ed), 2011
ASSOCIATE EDITOR, SCREENWORKS
Art Reviews & Submissions
Art reviews in contemporary art publications.